With its 1970s setting, Starve Acre is a modern folk horror that leans into its inevitable comparisons with films like The Wicker Man and Don’t Look Now. Even so, Starve Acre becomes more a litmus test of dread – for audiences and characters alike – than a formulaic folk horror. Where folk horror films like Midsommar invoke a kind of thrill in piecing together what tapestries and paintings will come to mean, Starve Acre forces viewers to see it coming and to sit in that unease. Director Daniel Kokotajlo supports his environment of disquietude with still shots of Yorkshire’s beautiful, but oppressive landscapes between the slow, deliberate camerawork that punctuates the story.