Cold War-era ballet tours were high-stakes artistic displays

The Italian Renaissance gave birth to ballet, but Russians dominated the art to such a degree no one questioned their supremacy. The Bolshoi, the world’s reigning company, pirouetted onto U.S. stages in 1959 and 1962. The State Department-sponsored American Ballet Theatre (ABT) went east in 1960 followed two years later by the New York City Ballet (NYCB), led by its Russian émigré choreographer George Balanchine. Adding a thermonuclear layer of stress, the Cuban Missile Crisis ignited in October 1962 when the Bolshoi and the NYCB were in each other’s countries. Upstart Americans left home unproven underdogs…The New York Times feared...