What is in the water in 2026 for the slasher horror subgenre? Between Avalon Fast flirting and subverting expectations in Camp, and Jane Schoenbrun's deep dive into eros and thanatos (and the pleasure principle) in Teenage Sex and Death at Camp Miasma, now comes the experimental formula remixing slash reaffirming of River. The prologue here separates the violence of audio and image in a way that is slickly disorienting, and feels as fresh as blasting Bach out of the stereo of a muscle car; not your typical needle drop for a wildness survival horror. The film settles into a slow, and long character-driven start with three estranged siblings meeting at their neglectful, now deceased, father’s cottage to scatter his ashes. There is a spectacular transition...
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