I am far from the first cinephile to point this out, but there is no substitute for print film when it comes to conveying texture. The crisp quality of digital may give clarity, but there is a depth to a print that can convey so much for the senses not directly engaged with when watching a film. Though sound quality applies to any film, and it's something every aspiring filmmaker should know: you can get away with visual quality that is less than stellar, but poor sound quality will ruin a film. Luckily, there are no such troubles with this film. Mark Jenkin, with his previous features, Bait and Enys Men, showcases not only how the means of a film is part of the story, but how the...
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