Coralie Fargeat’s The Substance is a twisted, visually striking piece of body horror that grapples with the notion of identity, the exploitation of female beauty, and the price of immortality—specifically the kind of immortality that Hollywood offers. With a premise that’s part Cronenberg and part Black Swan, Fargeat crafts an unsettling narrative about an aging actress who seeks to reverse time with a shocking, grotesque procedure. While the story might not break entirely new ground in terms of its themes—many of us are all too familiar with Hollywood’s obsessive fixation on youth—it’s the film’s shocking visual style and fearless approach to body horror that have people buzzing.
At the center of the story is Elisabeth (Demi Moore), an actress whose career has been overshadowed by the relentless march of time. After being cast aside by the entertainment industry for no longer meeting society’s beauty standards, Elisabeth enters a sinister underground world that promises to provide her with eternal youth in the form of a younger, sexier version of herself. Enter Sue (Margaret Qualley), a beautiful young woman who literally bursts from Elisabeth’s spine and takes over her life, leaving Elisabeth trapped in a nightmarish existence. But as the film’s title suggests, the “substance” isn’t just a cosmetic solution; it’s a dangerous and mind-bending force that turns beauty into a grotesque, cyclical nightmare.
Demi Moore as you’ve never seen her before, Source: Mubi
Why We Can’t Stop Watching
The Substance taps into deep-rooted cultural anxieties around beauty, aging, and fame. As Hollywood continues to objectify women based on their looks, it’s no surprise that this film feels so relevant today. The message is as clear as the blood-spattered finale: the search for eternal youth in the entertainment industry is a losing game. What’s striking about Fargeat’s approach, however, is how she uses body horror not just as a shock tactic, but as a means of dismantling the very ideas that Hollywood—and society at large—holds about women’s bodies. The grotesque spectacle of Elisabeth’s transformation into Monstro Elisasue, a hybridized creature of both Elisabeth and Sue, is a disturbing critique of how the industry tries to commodify women’s bodies and discard them when they’re “used up”.
The film’s visceral imagery also serves as a biting commentary on Hollywood’s ageism and the way women are often forced to confront their diminishing worth as they age. Elisabeth’s desperate attempt to hold onto her beauty is visually mirrored by the gruesome spectacle of her deteriorating form. This horrifying loss of identity isn’t just the stuff of fiction—it mirrors the real-life struggles faced by many women in the entertainment industry who feel compelled to fight against the relentless passage of time through cosmetic surgery or other extreme measures.
On the eternal hunt for youth, Source: Mubi
The Twisted Glamour of Fame
Fargeat’s film is also a satire of Hollywood’s hypersexualization of women and the superficiality that permeates the industry. From Elisabeth’s unceremonious firing to the scene where she peers at a poster of her younger self, longing for a past that she can never reclaim, the film relentlessly critiques the value placed on appearance. This isn’t just a tale of vanity—it’s a sharp commentary on how the entertainment world, and society as a whole, dissects and judges women based solely on their appearance, relegating them to mere objects of desire or, worse, tossing them aside when they no longer serve that purpose.
As The Substance reaches its climax—one of grotesque violence and body-shifting transformations—the film asks us to consider what happens when women are forced to abandon their true selves in exchange for an illusion. The tragic figure of Elisabeth, watching as Sue thrives in the body she once inhabited, serves as a poignant metaphor for the sacrifices made by those who try to hold onto beauty, only to find themselves consumed by it.
Bleeding for beauty, Source: Mubi
Why The Substance Is the Film We Didn’t Know We Needed
The Substance has quickly become a cultural touchstone for its provocative themes and unrelenting exploration of the horror of identity manipulation. At once a critique of Hollywood’s obsession with youth and beauty and a bold statement on the dangers of sacrificing authenticity for fame, the film is an unnerving, but necessary, reflection of our times. Fargeat’s twisted horror may shock and disturb, but it’s also a wake-up call to challenge the toxic ideals that define women in entertainment. In an industry that continues to worship youth, The Substance reminds us that chasing the elusive dream of eternal beauty can only lead to monstrous results.