Few contemporary directors inspire the kind of devotion that Zack Snyder does. For nearly two decades, his films have attracted a passionate fanbase, though his signature combination of stylized visuals, grim subject matter, slow-motion action, and larger-than-life imagery producing just as many detractors as devotees. Unfortunately, even as an admirer of much of Snyder’s prior work, this writer finds there to be precious little of merit in The Last Photograph.
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