
This article contains discussion of suicide.
It is a storyline that is leaving Hollyoaks fans aching, as bullied teenager Ro’s bullying ordeal drives him to a suicide attempt.
We have followed Ro (Ava Webster) on an emotionally impactful journey since he came out as trans at the age of 12 to his parents Diane and Tony Hutchinson (Alex Fletcher and Nick Pickard), an arc that cast members Ava and Alex agreed was important for the show to take its time with and explore the various themes with from prejudice and lack of understanding through to love and acceptance.
I recently sat down with the stars to discuss the next stage of Ro’s story, which sees him contemplate taking his own life due to the horrendous campaign of abuse from Arlo.
The trauma is far from over but there could be some hope as Ro makes a call to a trans support helpline in a desperate plea for help in his lonely and seemingly helpless bubble.
‘It’s a build-up of all those things that are happening – the bullying, divorce and juvie,’ Ava told Metro in her first interview. ‘It’s all those things together and Ro gets in a really bad place because of it.’
She was instantly on board with the intense but powerful upcoming episode. Speaking to me between takes and tutoring for school studies, the extremely busy teenager said: ‘When I read it I was like, “Wow.” I read everything in one go. I was imagining it as I was reading and thinking this is going to be amazing, for the trans community and in general.

Addressing a light at the end of the tunnel, she added: ‘A few people have said that what Ro really needs is a community and he’s getting that now.
‘He’s getting a sense of his people. He now knows about these support groups and he’s got all these other people he can connect with. I do think it’s going to be very helpful.’
Ultimately, the call will trigger the beginnings of a turning point for Ro, though Ava insists there’s still a long way to go.
Hollyoaks writer Emma Frankland: 'This episode is really special'

Putting pen to paper for this special episode centering on Ro was an experience Emma Frankland relished – and she even stars in the scenes as the person on the opposite end of the helpline.
When Metro spoke to her, she detailed an episode which sees Ro at his ‘lowest point’ in a ‘perfect storm’.
‘It’s the culmination of lots of things,’ she told us. ‘I think it’s really clear that this isn’t one incident happens and then Ro’s running off and thinking about taking his own life, it’s the weight of everything.
‘It’s the weight of Arlo’s bullying, that’s been going on, at this point, for well over a year, right through that missing year. That episode at New Year where Arlo tells Ro directly, ‘Kill yourself,’ between then and this episode airing there’s been this constant, terrible drip of transphobic abuse from him.
‘Then you’ve got Ro feeling guilty for everything that’s happening around him. He’s feeling the guilt of Diane relapsing. Diane almost dies, the Dog is partially destroyed, they’re using their home.
‘Ro is taking a lot of the blame on to himself for these things. He sees his dad and Marie, they’re not together as they want to be. He feels that’s his fault because of what’s happening with Arlo.’
When asked to write the episode, Emma instantly knew that it would be something very different.
It’s been a special one to write in terms of what it’s brought up for me personally, but I think the process has been great. I had conversations with someone from Samaritans, I spoke to someone from Switchboard, I spoke to someone from Papyrus which is a call centre specifically for young people, a suicide prevention line.
‘Those conversations were incredible.’
She added: ‘I was really keen that the call Ro puts in is to an LGBT service so that when they speak to someone on the other end of the line they’re not having to also go through any layers of misunderstanding. They’ve not got this nervousness of, “How’s this person on the line going to feel about me being trans? Are they going to be for that or against it”’ I think it’s a really important service that’s out there that I think people, especially young people, don’t always know that we can access.
‘I think one of the things I learned from the people at the call centre is when you go to your friend and say, “I’m feeling this way,” your friend wants to solve everything and they want to make it right and make you feel better. But the people on these phone lines can actually just hear where you’re at they can listen. For Ro, actually having the chance to talk to someone.
‘The hope is that people see an example of what you can do when someone is in this state or you’re concerned for somebody’s wellbeing, you’re concerned they’re having thoughts of suicide.
‘I think knowing these services are there, knowing there’s broader services than just the Samaritans. There are services for young people, there are services for LGBT people. There are people who understand and know how to talk to people who are considering suicide, who are in this place.
‘I think that for a lot of people there are a lot of uncomfortable feelings around the idea of young trans people. It’s become so political and they’ve been made such a political pawn. There’s something about listening to young trans people themselves, hearing what they’re saying, hearing what they’re advocating for.
‘If you do listen to what young trans people are saying today they are saying that they’re feeling worried, they’re feeling under attack, they’re feeling like they need our support.
‘I think listening to Ro and Nina being able to articulate and speak for themselves, hopefully that teaches other people to say, “We don’t need to speak on behalf of trans kids, they’re not asking us to solve their problems. They’re asking us to listen to them.”‘
However, both she and on-screen mum Alex, will relish some more upbeat scenes.
‘I was in a scene yesterday with a new character, Matt, who is in a group that Diane is encouraging Ro to go to,’Alex explained. ‘He’s a breath of fresh air.
‘They had a lovely scene together and they were laughing their heads off and it was so nice to see the character of Ro smile. We loved it, we were buzzing off that. It just felt good.’
What was really infectious and apparent during our interview was just how much love and respect Alex has for Ava and indeed the young cast as a whole.
She enthused: ‘Ava’s so mature and she’s got her family and her mum and dad and loads of support, but I always try and check in with her.

‘I know when I’m tired and doing all these heavy scenes, but she’s also got her tuition and being a teenager as well and it’s a lot. But she takes it all in her stride. It’s quite grounding, that.
‘It’s quite nice to be around, because I think, “She’s smashing it, she can do it and she’s got her tuition and school.” It’s just nice. And it’s not gone to her head, which is good.
‘It’s nice for me to see the next generation of talent coming through and really working hard, actually. That’s what I’ve noticed with the kids – they’re grafters and make sure they get it right.
‘I’ve watched Ava get all her hair cut off and that’s not easy, especially when you’re a teenager, but she’s committed to it. You see the kids so invested in it and you invest more yourself.’

And Alex has plenty of that to get her teeth into. From battles with alcoholism to the breakdown of her relationship with Tony, she has had a lot going on.
So how will she cope when she realises the place Ro has found himself in?
‘I don’t think she realises it’s a crisis point,’ the ex-Brookside actress sighed. ‘But at the minute I don’t think Diane knows any different. I don’t think she’d be able to function if there wasn’t so much drama going on.
‘It’s kind of the only thing she’s got to live for at the minute, she’s thriving on the negativity. I know that sounds a bit dark, but I think that’s where she’s at. It’s not healthy at all. She’s not realising that her kid, Ro, is going under fast.
Metro columnist Ugla Stefanía Kristjönudóttir Jónsdóttir says...
It’s so positive to see stories like Ro’s depicted on mainstream television. If people only learn about young trans people via certain right-wing media outlets or politicians, I wouldn’t blame them for being concerned or confused.
Commentary on gender identity is often incredibly negative, coloured by accusations of child abuse and exaggerated assertions about ‘desistance’ (the natural disappearance of gender dysphoria) and transition regret.
The challenges Ro’s family is shown to have is a very natural thing to happen because coming to terms with your child being trans can be difficult for people to accept. Despite what some people might say on social media, it’s a long process that doesn’t happen overnight.
I grew up watching cartoons and films that constantly depicted Disney princesses finding Prince Charming – where no one was trans and there were no discussions about LGBTQ+ identities whatsoever. I still knew deep inside who I was, and was eventually able to figure it out – even in a rural farm in Iceland, where I’m from.
We all deserve to see positive stories of trans people being accepted and supported because – in my experience – that is much closer to reality than what certain anti-trans critics would like people to believe.
Films, TV shows and other pop culture references that are done with integrity and professionalism really have the opportunity to show people real human emotion and connection, which can change hearts and minds. It allows people to get real insight into the lives of transgender people.
At the end of the day, no one deserves to live their life in shame. We’ve seen the consequences that this has had on past generations and we cannot continue making the same mistakes.
‘It’s dead sad because they lose their home and everything, she’s lost her husband. The stuff we’ve got coming up is horrible. But we do try and have a laugh between takes because you’ve got to, haven’t you? Because fundamentally we’re only pretending and we have to remember that.’
All is not necessarily lost though, as she added: ‘I feel like this cry for Diane will hopefully fix everything. We’re going to show Ro contacting the helpline and for things to get that bad is almost a good thing.’
Fans will certainly be behind this idea, given how popular both Ro and Ava are with the audience.
It clearly means a lot to the youngster. With a smile, she addressed the responses she gets with love: ‘I see some of the comments and some of the edits people do and I think it’s really cute and I’m really happy that it resonates and Ro’s actually helping people.
‘We had someone say to us, “Ro’s helped me discover who I am.” That was really nice and cute.’
It’s evident that this next stage of the journey with this cry for help will be another step in a story that continues to have an impact far beyond even the cast can imagine.
But prepare for it to break your heart along the way.