There was a time, in the mid-to-late '90s, when movie theaters would get a new serial killer thriller seemingly every month. You know the ones: Without a Trace, Copycat, Kiss the Girls, The Bone Collector, and the like, all chasing the same highs achieved by the genre-defining The Silence of the Lambs. Each would follow roughly the same formula, feature a few big names and some dark basements, and would ultimately amount to a solid and creepy, if not especially ground-breaking, time at the movies.


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