Mindset Gives Us the Lowdown on New EP, ‘Vanity’

3 weeks ago 5

Mindset swung by to chat about his debut release on Memory Palace, his creative collaboration with Of The Trees, and the significance behind this milestone project.

Rising bass producer Mindset knows exactly how to draw listeners into a slow-burning tension that erupts into crushing, high-impact drops. Blending hip-hop influences with a deep understanding of analog synthesis and warped modular sound design, his productions are packed with gritty wubs, distorted basslines, and immersive textures. This balance of suspense and release fuels an adrenaline-charged energy that has become the defining hallmark of his sound.

That signature approach has propelled Mindset’s steady rise within the bass music scene. After touring as direct support for Of The Trees, he continues to expand his fanbase and now arrives on Memory Palace with his latest EP, Vanity.

The four-track project delivers a powerful sonic statement, led by the crushing single “Arachnid,” where crunchy synths collide with snarling bass textures. “Internet Slang” leans into bass house energy with gritty grooves and distorted low-end rhythms, while “Last Words” unfolds through rumbling deep wubs and playful sonic experimentation. Closing out the EP, the only collaborative track, “OMG” features tiedye ky and showcases Mindset’s forward-thinking approach to bass music through aggressive sound design and relentless energy.

Whether experienced through your headphones or live on the dancefloor, Mindset’s music delivers the same visceral impact. With Vanity, he showcases his technical prowess and evolving artistic vision. We caught up with the rising star to discuss his creative process in the studio, the meaning behind Vanity, and what this milestone release means to him.

Listen to Vanity on your preferred platform and read on to learn more about Mindset’s evolving artistry and what’s next on the horizon for him.

**Stream Mindset –Vanity on Spotify:**

Thanks so much for taking the time to chat with us today! Let’s dive right into your new EP. You released “Arachnid” earlier this month, which introduced fans to the darker side of the project. How does it set the tone for the rest of Vanity?

“Arachnid” was the first song I started that sparked this whole EP. Every time I would listen to it, something about it haunted me in the coolest way. I knew the day I made it that it deserved its own world. The color and feeling it gave me pushed me to seek more of that in my music, taking me into terrains I didn’t know my sound could exist in.

A few months back, when I was on a Zoom call planning the EP rollout, Tyler suggested I make it the lead single because it was so different from anything my fans would expect from me. So many trends in bass music have been shaped by the algorithm, and “Arachnid” went against all of them.

Why did you choose the title Vanity? Does it hold a personal or artistic meaning for you?

For a long time after I released my last EP Everyone Sounds Like, I tried to live up to an unrealistic expectation I set for my music. I became my worst critic and fell victim to a standard I created for myself. The title Vanity came from that cycle I found myself in. I finally broke free from those patterns once I learned to let go and accept the things I saw in the mirror.

Vanity strikes a balance between slow-burning tension and explosive moments of release. How did the four tracks come together? Were they all written around a common concept, or does each one explore a different side of your sound?

They came together very slowly. Vanity started as a longer project, but as time went on, I trimmed a few songs that didn’t resonate with the core theme of the EP. I wanted it to sound cohesive but also have each song convey a new story that I wanted to tell in this world I was creating.

Has your approach to sound design evolved on Vanity compared to your earlier releases? Was there one track that surprised you the most during the production process, either because it evolved unexpectedly or pushed you outside your comfort zone?

Every song was approached completely differently when it came to sound design. “Arachnid” was the one where I think I really took a step forward. Every sound in it is slightly out of sync, giving the song life and making it feel like a living thing as it pushes and pulls. I made every sound in Operator, which was something I hadn’t done before. A lot of people overlook it because it’s a stock synth in Ableton, but it’s incredibly versatile if you explore.

Vanity marks your debut on Memory Palace, and it’s also the label’s first non-Of The Trees release of 2026. What made Memory Palace feel like the right home for this project, and what does that milestone mean to you?

It feels really good to finally have my own seat at the Memory Palace round table. This release was in the works for a really long time, and I can’t thank Tyler enough for being so patient with me throughout the writing process. Tyler has created such a unique label, and each release adds another chapter to its saga. They encourage artists to step out of their comfort zone and have put out some of my favorite EPs over the past few years. It’s the first EP that I’ve released on a label, and I honestly couldn’t ask for a better home for it.

The Mindset camo hat has become something of a signature look, and fans seem to love it! How did that come about? Is there a story behind it, or did it naturally become part of your identity as an artist?

I’ve always loved buying trucker hats that I would find in country gas stations and just wanted to make something that had that feel. A few years ago when I was making a small merch run, I decided to make 10 camo hats, not thinking they would be something people would actually wear. They sold out instantly. I’m gradually creating a community of fellow camouflage enthusiasts who all contribute jokes and lore centered around these hats. Seriously, it makes me so happy to see people wearing them! I can’t escape them whether it’s in person or online.

Now that Vanity is out in the world, what’s next for you? What can fans expect from Mindset for the rest of 2026?

I want to release a lot of music this year, and there won’t be much downtime between this EP and my next single. I’ve been holding onto a bunch of music that I want people to hear while I work on my next project. As for my hat company, I have a lot of ridiculous ideas that I think will expand on the lore that’s been building around it. I plan on leaning into some of these jokes pretty hard over the next few months. I’m not stopping until everyone owns a Mindset hat.