Get to Know Rising Bass Music Star MARAH

3 weeks ago 6

**Fresh off her Deadrocks debut, rising bass artist MARAH swung by to discuss the resilience that inspired her latest EP, LULA, and the story behind her rapid ascent in the scene.**

MARAH represents a fresh generation of bass artists reshaping the sound of modern dubstep. Her productions balance explosive drops, gritty textures, and thunderous club energy, delivered with a rare combination of raw power and precision. It’s this approach that helped her build a devoted fan base and capture the industry’s attention following her breakout in 2024. Since then, she has joined Hamdi on tour while adding major festival appearances to her resume, including Shambhala, Lightning in a Bottle, Bass Coast, and Deadrocks.

On the music front, this year saw MARAH drop LULA on Deadbeats, a four-track EP that marks another confident step forward in her evolution as a producer. Featuring collaborations with Ugly Lungs, Crucial, and Jessy Covets, the release builds on the momentum of her rapid ascent and reveals a more nuanced artistic vision.

At its core, LULA is both empowering and deeply personal. The EP stands as a declaration of resilience, shaped by MARAH’s willingness to step out of her comfort zone and push boundaries. Through the project, she encourages listeners not to be afraid to take risks, trust the process, and embrace the journey. That spirit runs throughout tracks like “Talk To Me,” “LOUDER,” and “Take It,” where razor-sharp percussion, hypnotic grooves, and low-end textures create a bone-rattling intensity.

After dropping LULA, we caught up with MARAH to chat about her journey into electronic music, her affinity for dubstep, and the creative process behind the project. Give her exclusive live set from Factory Town Miami a spin and read on for the full conversation.

Stream EDMID Guest Mix 503 || MARAH [Live at Factory Town Miami] on SoundCloud:

Hey MARAH, thanks so much for taking the time to chat with us today! Before we dive into LULA, let’s rewind a bit and talk about your journey. When did you first fall in love with electronic music, and was there a particular artist, song, or moment that pulled you into the scene?

Thanks so much for having me! I grew up around music my entire life, but I first fell in love with electronic music when I started going to forest and underground raves in high school; I think I was around 14 or 15 years old. I was instantly hooked and started traveling all over Canada and the States, going to every rave I possibly could. I got a fake ID so I could get into shows. Artists like Rezz, Doctor P, Eptic, and Alison Wonderland were just a few of the artists that really blew my mind during that time and were a huge influence on my journey.

Growing up near Vancouver, how did the local electronic music community influence your early relationship with the genre? Were there any experiences that made you realize this was something you wanted to pursue professionally?

I actually grew up in Kamloops! A small city just a few hours away from Vancouver. Growing up in a small city, there was not too much going on; you kinda had to go out and make your own fun. That’s when my friends and I would throw renegades and play music all night long.

Those early experiences of being introduced to underground culture showed me the range of what electronic music was, especially dubstep. I think that’s what really made me fall in love with DJing and the decision to take it on professionally. I just loved the community aspect of it. There’s something really special about the underground scene, and I definitely would not be the artist I am today without that.

Fast forward to today, LULA feels like your most complete artistic statement yet. The project moves seamlessly between dubstep, trap, techno, and UK club influences while still feeling cohesive. During the production process, were there any tracks that surprised you or evolved in a way you didn’t initially expect?

Thank you! It’s kinda funny; when I was writing this EP, I didn’t even realize I was writing it at the time; I was just making a bunch of music just to see what came of it. Then once I started planning the project, I had to figure out how to make everything feel cohesive. I actually started writing “Talk To Me” in late 2025, and it went through around 10 different versions. It’s definitely the song I’m most proud of.

The song that surprised me the most is “LULA”. I wrote a rough idea that I wanted to take influence from Baile and other World genres. A mutual friend of Jessy and I connected us; she loved the idea instantly. We chatted about vocal ideas, and she sent over a demo, just the way her Portuguese vocals blend so perfectly. I think it’s such a beautiful testament that different worlds can collide and can create something so original; this song has so much more meaning than I ever could have expected.

You’ve described LULA as the most honest reflection of who you are creatively. Was there a specific moment or experience that inspired the message behind the title track? And what parts of yourself do you hope listeners discover through this project that they may not have heard before?

“LULA” has a funny origin story; I’m sure you’re familiar with the hot sauce “Cholula.” It actually started as a funny title for an early demo, but as the song began to evolve, I started learning more about what “LULA” actually means. Lula means “warrior,” and at this point in my career, I felt like that was the perfect word to capture my journey. The first verse says “Eu caí, mas levantei / Mesmo quando duvidei / No escuro, eu encontrei / A força que eu escondi.” Which means “I fell, but I got back up, even when I doubted, In the darkness, I found the strength I had hidden.”

Perseverance has been my best friend since I started this career. Through all the ups and downs, all the “no’s”, I’ve had to keep betting on myself. Stay strong and pick myself back up. So I hope that when listeners listen to this project, I hope they can hear the growth and dedication, and know that we all have a Lula inside of us.

The EP also features collaborations with Ugly Lungs, Crucial, and Jessy Covets, artists who brought unique perspectives to the project. You mentioned that creating alongside some of your favorite artists and friends made the experience especially meaningful. What moments from those collaborations stand out to you the most?

Honestly, just seeing how all these songs came together was so amazing. Crucial and I wrote “Take It” in two days. I sent him the initial idea, and he sent it back almost right away. It’s that moment when your collaborator sends the song back, and you get that exhilarating feeling like “Yeah, that’s a banger.”

Congratulations on your Deadrocks debut at Red Rocks! Playing such an iconic venue is a major milestone for any artist. Was there a specific moment during that performance when it really sank in that you were standing on that stage?

Ahhh, yes! It was the moment I hit play, and they opened the doors. People just started running in from both sides, all the way to the very top. It was so surreal. Probably one of the coolest moments I’ve ever experienced.

You’ve had an incredible run of live performances recently, from supporting Hamdi across the US and Western Canada to playing festivals like Shambhala, Lightning in a Bottle, and Bass Coast. How has being on the road shaped you as a performer, and what can fans look forward to from MARAH’s upcoming shows?

Getting to perform at so many incredible places is something I’ll never take for granted. I think the ability to move crowds with music that resonates with others is such a blessing. I love it so much. Performing has pushed me to try new things and get out of my comfort zone. I’ve been DJing for over 10 years now, and I always want to push myself to learn and grow. I’ve learned how to read crowds and to switch gears when needed, but I’ve also come to understand the power of taking the listener on a journey and what a MARAH set truly represents.

Fans can expect high-energy, upbeat sets from me this summer. I’m really learning how to master what a set sounds and feels like. I’m taking MARAH sets to the next level, with new music, all genres, something that everyone can rage and dance to!