Enzo Review: Laurent Cantet's Final Film Is A Subtly Complex Exploration Of Queer Desire That Captivated Me

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Teenage rebellion takes many forms but rarely does it involve wanting to actually work. Instead of getting into trouble with his friends or lazing about his parents’ glass-walled villa, 16-year-old Enzo (Eloy Pohu) spends his days mixing concrete and laying tile with men beyond his age. In Enzo, the opening film for Cannes Directors’ Fortnight, desire boils under the surface of its title character as he figures out his place in the world and his complicated feelings for his coworker Vlad (Maksym Slivinskyi), a Ukranian man escaping his war-torn country.

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