Dominik Moll’s crime thriller, Dossier 137, serves up an intense inspection of malignant police institutionalism. Like in many of his previous works, the director has a knack for exploring sociopolitical concepts on the spectrum of morality. Here, he does so effectively through the lens of an Internal Affairs worker in 2018 Paris, during the height of the Yellow Vests protests. Against all odds, the film'scommentary on policy brutality never panders. Rather, Dossier 137 delivers the pieces necessary to remind us that bad apples are merely born from their rotten systemic tree.